National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
The Beuron School and Liturgy
Novák, Pavel ; Kotas, Jan (advisor) ; Opatrný, Aleš (referee)
Subject of my work is the Beuronese art and its relation to the liturgy. The first part concerns generally the beuronese confederation, its foundation, historical development and expansion. The piece draws the creation and the basic solutions of the confederation, coming of the Beuron Art School as an individual style, and presents the most important beuronese performers. The study also surveys the main works of the Beuron Art School and evaluates the School's influence on the main art streams of the period. The work then tries to describe and clarify the relationship between the beuronese conception of sacral art and liturgy using examples of the two most important Prague beuronese monasteries. For this purpose it analyses so called beuronese "Gesamtkunstwerk", using knowledge of the Christian iconography.
Beuron Art in the Emmaus Monastery
Čermáková, Veronika ; Foltýn, Dušan (advisor) ; Jarošová, Markéta (referee)
The bachalor's thesis "Beuron Art in the Emmaus Monastery" examines an unique phase in the history of Emmaus Monastery influenced by Beuron Art. It presents to reader a preview of the artistic transformation of the monastery from 1880 until it's critical destruction on February 14, 1945, when became to unwanted object of the bombing of Prague. We can find out about the monastery restoration process realized in the following years. Another part of the bachelor's thesis gives us general information about Beuron Art School and it's main representatives. Then it shows the significance of this artisitic style and maps it's other artworks in Prague. Keywords Beuron, Beuron Congregation, Beuron Art School, Emmaus Monastery, OSB, sacral interior
The Beuron School and Liturgy
Novák, Pavel ; Kotas, Jan (advisor) ; Opatrný, Aleš (referee)
Subject of my work is the Beuronese art and its relation to the liturgy. The first part concerns generally the beuronese confederation, its foundation, historical development and expansion. The piece draws the creation and the basic solutions of the confederation, coming of the Beuron Art School as an individual style, and presents the most important beuronese performers. The study also surveys the main works of the Beuron Art School and evaluates the School's influence on the main art streams of the period. The work then tries to describe and clarify the relationship between the beuronese conception of sacral art and liturgy using examples of the two most important Prague beuronese monasteries. For this purpose it analyses so called beuronese "Gesamtkunstwerk", using knowledge of the Christian iconography.

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